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Snap / Belinda Bauer.

Summary:

Jack's in charge, said his mother when she disappeared up the road to get help. I won't be long. So eleven-year-old Jack and his two younger sisters sat in their broken-down car, bickering and whining and playing I-Spy, waiting for her to come back. But their mother didn't come back. She never came back. Now three years later, a young woman named Catherine While wakes to find a knife beside her bed, and a note reading I could have killed you. With a husband on the road and a baby on the way, Catherine makes a single bad choice that leads to a tangled web of deception and fear. Meanwhile, Jack's still in charge. Of his sisters, of making ends meet, of making sure nobody knows they're all alone in the house. And - quite suddenly - of finding out who murdered his mother.

Record details

  • ISBN: 9780802127747 (hc)
  • Physical Description: 335 pages ; 24 cm
  • Edition: First Grove Atlantic hardcover edition.
  • Publisher: New York : Atlantic Monthly Press, 2018.
  • Badges:
    • Top Holds Over Last 5 Years: 1 / 5.0

Content descriptions

General Note:
"First published in Great Britian in 2018 by Bantam Press an imprint of Transworld Publishing"--Title page verso.
Subject: Murder > Investigation > Fiction.
Life change events > Fiction.
Murder > Fiction.
Teenage boys > Fiction.
Genre: Suspense fiction.
Mystery fiction.

Available copies

  • 13 of 13 copies available at BC Interlibrary Connect. (Show)
  • 1 of 1 copy available at Sechelt/Gibsons. (Show)
  • 0 of 0 copies available at Gibsons Public Library.

Holds

  • 0 current holds with 13 total copies.
Show Only Available Copies
Location Call Number / Copy Notes Barcode Shelving Location Holdable? Status Due Date

  • Booklist Reviews : Booklist Reviews 2018 May #1
    *Starred Review* Bauer secures her place as a star in the British psychological-suspense firmament with this tightly written tale of Jack, a young boy who turns to crime after his mother's brutal murder. Jack and his two sisters, Joy and baby Merry, are left alone twice—first, when their mother's car breaks down on the M5 motorway and she leaves them to find help, and again, three years later, when their father abandons the children, unable to cope with his grief. At 11 years old, Jack is now the man of the house, left to steal items he can sell to a petty-crime ringleader for cash to support his younger sisters. They get by just under the radar, but Joy is mentally unstable, Merry is unschooled, and the whole house is buried under thousands of newspapers that Joy scours for mentions of the unsolved crime that ruined their lives. When Jack is convinced he's found the weapon used to murder his mother in a home he's burgling, his already unraveling life descends further into chaos. Bauer's characters (including DCI John Marvel, who has appeared in some of her previous novels) are richly drawn and her plotting is impeccable. Even the most bizarre circumstances and red herrings make perfect sense. Readers who miss Ruth Rendell are sure to become fast Bauer fans. Copyright 2018 Booklist Reviews.
  • Kirkus Reviews : Kirkus Reviews 2018 May #1
    The three children of a murdered woman hide in plain sight. Jack Bright, Bauer's (The Beautiful Dead, 2017, etc.) plucky main character, is only 14, but he's the sole support of what's left of his family. Three years ago, in 1998, Jack's mother, Eileen, left him and his two younger sisters in their broken-down car while she went in search of a roadside telephone. Her body was found several days later, and the children's father, after trying to cope, disappeared. Now, unbeknownst to social services and truancy officers, Jack and his sisters, Joy and Merry, still inhabit their clutter-bound family home. Jack and Merry maintain the exterior to put off authorities. Jack also maintains the family's fragile economy by burglarizing homes, stealing only healthy food and occasionally napping in a victim's bed. Thanks to the consistency of this M.O., the police call him the Goldilocks burglar, although they're not even close to identifying or nabbing him. The book's third-person perspe ctive shifts among multiple characters, major and minor, but is always vividly real. Heavily pregnant Catherine, whose husband, Adam, is away on business, drives off an unseen home invader only to find an abalone-handled knife placed next to a scrawled note: "I could have killed you." A never entirely credible reluctance stops her from calling the police or telling Adam. Marvel, a senior detective exiled to "darkest Somerset" after a fall from grace at his London post, disdains the hunt for Goldilocks as much as he longs for a homicide case. Reynolds, a vain but deeply insecure detective, visits his aging mother often at her new home but ignores her concerns about the three seemingly feral children next door. Perspectives and offhand clues converge as Marvel finds that a rash of small-town burglaries just might lead to a career-salvaging murder investigation and to the cold case of Eileen Bright. All of the characters, though flawed human beings in varying degrees, are likab l e, which gets in the way of creating a convincing villain. This thriller, though gripping to the end, is a victim of its own niceness. Copyright Kirkus 2018 Kirkus/BPI Communications. All rights reserved.
  • Library Journal Reviews : LJ Reviews 2018 April #1

    The gripping opening of this uneven thriller from Bauer (The Beautiful Dead) finds 11-year-old Jack Bright and his two younger sisters left in a car on a British motorway by their mother, Eileen, after a breakdown one summer day in 1998. Losing patience, Jack ventures out of the car in search of his mother only to find a phone booth with a receiver left dangling off the hook. When the police eventually rescue the three siblings, Jack learns that his mother's call for assistance was recorded, but her words were cut off abruptly after she reported that someone in a car was pulling over to help her. Eileen is later found stabbed to death. In 2001, pregnant Catherine While scares off a stranger who breaks into her West Country home; later, she finds a knife next to a birthday card her mother sent her. The message in the card had been crossed out and replaced with the words "I could have killed you." The plot lines predictably overlap, but in a way that feels contrived. Bauer fans will hope for a return to form next time. Agent: Jane Gregory, Gregory & Co. (U.K.). (July)

    Copyright 2018 Publishers Weekly.
  • Publishers Weekly Reviews : PW Reviews 2018 May #2

    The gripping opening of this uneven thriller from Bauer (The Beautiful Dead) finds 11-year-old Jack Bright and his two younger sisters left in a car on a British motorway by their mother, Eileen, after a breakdown one summer day in 1998. Losing patience, Jack ventures out of the car in search of his mother only to find a phone booth with a receiver left dangling off the hook. When the police eventually rescue the three siblings, Jack learns that his mother's call for assistance was recorded, but her words were cut off abruptly after she reported that someone in a car was pulling over to help her. Eileen is later found stabbed to death. In 2001, pregnant Catherine While scares off a stranger who breaks into her West Country home; later, she finds a knife next to a birthday card her mother sent her. The message in the card had been crossed out and replaced with the words "I could have killed you." The plot lines predictably overlap, but in a way that feels contrived. Bauer fans will hope for a return to form next time. Agent: Jane Gregory, Gregory & Co. (U.K.). (July)

    Copyright 2018 Publishers Weekly.

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